Powell Library Seismic Improvements

The Powell Library project is a continuation of over 30 years of work on this historic UCLA structure. One of the four original and most distinguished buildings on campus, Powell continues its evolution to better serve the needs of the campus and student communities.

The seismic improvement project began as planning for renovations and adaptive reuse to create a forward-looking, more student-centric experience.  Initial feasibility studies enabled the University to fund critical seismic improvements and allow Powell to be safely adapted for future generations.  A rigorous preconstruction investigation using LiDAR scanning and 3-dimensional point cloud data aided the design of a surgical strengthening of the building.  All reinforcing materials were brought into the historic reading room through a single removed window opening, building a ship-in-a-bottle while the library was occupied throughout construction.  Four hundred and fifty historic ceiling panels were catalogued, removed, stored, and reinstalled to provide access while ensuring adherence to the Secretary of Interior’s Historic Building Standards.

Moore Ruble Yudell’s original work focused on fortifying the structure to then current seismic criteria, improving accessibility and wayfinding, and upgrading building technology and systems.   Powell Library has continued to be a dramatic center for campus life and is the first UCLA building to receive a National American Institute of Architects Honor Award.

Halprin House

After the loss of their treasured retreat at The Sea Ranch, Larry and Anna Halprin invited Buzz Yudell and Tina Beebe to design a new house which would revive the spirit of the original building designed by Charles Moore and William Turnbull, Jr., while more generously accommodating the artistic passions of this extraordinary couple.

The new house nestles itself into the land, respecting the original North-South axis of the prior house. It introduces additional diagonal paths of movement and interpenetration of vertical spaces to reflect the Halprins’ shared understanding of the choreography of space and bodies. A new studio creates space for Anna to write, design, and create costumes while a covered terrace provides an area to exercise outdoors. The outdoor kitchen, a much beloved component of the original house, is recreated, and a greenhouse dining room, which recalls the original, is built and expanded in a more generous form. The original fire pit for outdoor gatherings and dining was preserved as was the original outdoor spa. Larry’s studio, which he designed with William Turnbull many years ago, survived the fire and remains a separate creative retreat for him.

Tina Beebe created a palette of colors that connect to the site: the hues of Anna’s studio reflect the changing colors of the ocean; the warm colors of the gallery leading to her dance studio intensify the setting sun. These colors are set off by natural woods, including fir, madrone, and driftwood from the nearby beaches.

The site work and landscape are a synthesis of elements that were revived and restored after the fire and new plantings and site work by Larry. The house and site serve as both a retreat for contemplation and as an incubator for vibrant creativity. The design and construction process has only deepened the friendship and creative bond of the two couples.

Schetter Residence

The Schetter Residence is organized around a series of twelve courtyards, which serve as outside rooms to create an intimate dialogue between building and landscape. Each garden room has a unique character, such as the “secret garden” outside the library, which provides a contemplative complement to its interior partner. The terrace and loggia near the kitchen and family area provide exterior cooking and dining. More formal gardens adjoin the living and dining rooms, creating a fabric of spaces. The 10,000 SF house is organized on a modified H-shaped plan to modulate its scale and develop a range of places of varying formality, size and character. The house and garden rooms support a range of activities and entertainment from intimate to grand and casual to formal. An east-west gallery links casual family spaces to formal living and library rooms. The H-plan allows each piece to function as a “pavilion” with multiple views and ventilation. The choreography of the house is flexible but rich, allowing many paths of movement. The interaction of interior and exterior rooms give form to the life of the family, shaping places at once intimate and grand, full of choice and surprise yet rooted in the land.

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